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-- Although the auto settings produced very good pictures, this camera really comes into its own when you shoot in Manual mode. I was able to routinely get some vivid fall sunset scenes on a lake with beautifully saturated color and contrast by tweaking shutter speed and aperture settings separately.
-- I'd say that the noise at 400+ without post-tweaking is considerable, though nowhere near what I used to see on 400 ISO film back in the day. It was easily reduced post-processing using a noise-reduction program that works within Photoshop, and I ended up with some beautiful indoor shots with minimal effort. I even took some night landscape pictures with a bright moon at 1600, and was pleasantly surprised at the results after tweaking them afterward.
-- I was able to get extremely sharp photos in macro mode (closeups of bees in flowers, that kind of thing), again without a tripod. I'm still getting the hang of focusing on the exact part of the flower that I want; I find it more cumbersome to do it with this camera than I did with my old SLR (where you just turned the lens with your hand).
-- The camera did a good job out of the box at face recognition. The built-in flash on auto settings was just OK; it didn't hideously over-expose the faces, but it didn't look entirely natural either. Again, moving away from the auto settings and using fill flash judiciously helped me create some much more natural and attractive portraits. I would imagine adding a separate flash attachment would help even more. I found my favorite portraits were taken with no flash at all and some light tweaking with contrast in Photoshop.
-- The optical zoom met my needs well. I loved having the wide-angle capability for landscape shots, and I got some gorgeous, very clear pictures of a bald eagle at the top of a tree with the telephoto zoom. The camera clearly showed me when I was moving beyond the optical zoom into digital zoom, and my pictures of the eagle deteriorated accordingly. I will probably turn off the digital zoom.
-- The camera comes with all kinds of built-in scene settings (snow, night snapshots, sunsets, underwater, etc.), most of which I haven't yet found that helpful. I did get a couple of fun foliage shots using the sunset and foliage settings, but in both cases I could've gotten the same results simply tweaking in Photoshop afterward. If you don't want to mess with post-processing programs or playing with the camera's controls, I could see how these scene settings could be useful.
-- Photoshop CS3 can't open the RAW files from this camera yet. This is a big drawback for my purposes. I have opened the RAW files in the Canon software that comes with the camera, but it's not nearly as powerful or intuitive as Photoshop. So for now, I'm exporting the RAW files to Photoshop as TIFFs, and they're enormous -- 85 MG. The quality is marvelous, however, and I'm hoping that Adobe will quickly add support for the G10.
I'll try to add some photo examples to this review. I noticed they get a little washed out when saved for the web; the originals are much more vivid.
As point-and-shoots go, this is about as good as it gets for my purposes. I gave it five stars, though I'd like to give it a half-star demerit for the lack of RAW support in Photoshop (a problem I hope will soon be corrected). If you're not quite ready for the leap to an SLR but you want more control and quality than the common point-and-shoot camera, this is an outstanding choice.
